Berwick Academy Celebrates 10 Years

By the summer of 2015, young violinist Augusta McKay Lodge had spent five years studying her craft on Baroque violin. But it wasn’t until she participated in the inaugural class of Berwick Academy for Historically Informed Performance (BA) that she experienced true clarity – finally feeling confident in her approach to historical music.

Augusta McKay Lodge (center) performs with Berwick Academy, 2015.

During a coaching session, BA faculty member Marc Destrubé worked through a passage of a symphony, demonstrating a precise, exact movement that McKay Lodge stuck in her memory. She remembered thinking she would imitate this for the rest of her life. Simple, yet profound; it marked a shift in her relationship with Baroque violin.

"I felt like all of a sudden, I knew what I was doing,” McKay Lodge recalled. “I knew how to approach the music, and I knew how the Baroque violin worked. Everything came together.”

As Berwick Academy celebrates its 10th anniversary, it welcomes another class of talented musicians, offering them the same transformative experiences McKay Lodge had a decade ago

An Immersive, Collaborative Experience

Berwick Academy, inaugural class, 2015

Since 2015, Berwick Academy has been one of the few educational programs in the US that exclusively features period performance, recreating styles and sounds that were originally heard in music of the Baroque and Classical eras. 

"The 10th anniversary of Berwick Academy is a powerful reminder of music’s enduring legacy—passed from one generation to the next,” BA Director, Jos van Veldhoven, said. “Those who were young musicians a decade ago are now accomplished artists, ready to share their knowledge with the next generation. This ongoing cycle is one of the most inspiring aspects of the musical tradition.”
Jos van Veldhoven
Artistic Partner

In addition to performing during Oregon Bach Festival, BA students attend master classes, sectionals, musicology seminars, and chamber music coachings with faculty, who are top performers and educators in the field.  

One such faculty member, Marc Destrubé, remarks, “It’s a privilege to share my experience with the ‘Berwiskers,’ and to in turn be inspired by their enthusiasm, exceptional skill and optimism.” 

The two-week-long program goes beyond technical training – the collaborative atmosphere is also a highlight for students.    

Augusta McKay McKay Lodge recalls one of her favorite memories at BA in 2015

The Academy wouldn’t exist without the vision of Phyllis Berwick and her late husband Andrew, whose generosity ensures the program remains tuition-free. Phyllis says, “We have so enjoyed the ripple effect of Berwick Academy musicians with their dreams unfolding before them.” 

Phyllis and Andrew Berwick

The Lasting Impact of Berwick Academy

After a summer with BA, many students launch flourishing international careers, often collaborating with fellow alums.

“It’s amazing how many of the people I met at Berwick I still work with today,” McKay Lodge says. “That kind of network is invaluable.”

Whether she’s touring the U.S. or freelancing with a chamber orchestra in Europe, McKay Lodge applies lessons she learned back in Eugene. “I had a whole new way of thinking about the music when I left Berwick,” she reflects. “Even now, things I learned during my lessons with Marc Destrubé or Monica Huggett still influence my playing.” 

Monica Huggett, OBF 2015
M Destrube
Marc Destrubé, OBF 2015

Looking Ahead: Berwick’s 10th Anniversary Celebration

As Berwick Academy celebrates its 10th anniversary, McKay Lodge reflects on how much the program has evolved. “The Academy has changed, but what remains constant is its ability to change lives and inspire musicians to reach new heights,” she says.  

This summer, McKay Lodge will perform at Oregon Bach Festival as a soloist with the professional Baroque Orchestra, and as the group’s co-concertmaster alongside Marc Destrubé; a full circle moment. “It’s like coming home,” she smiled. “It’s where things started for me in many ways. I can’t wait to be a part of the Academy again.”

Come see the 10th anniversary Berwick Academy class:

Beethoven’s Akademie

June 27, 7:30 PM, Beall Concert Hall

On April 2, 1800, Beethoven self-produced a benefit “Akademie” concert in Vienna showcasing his talent as both composer and pianist. The program featured his Symphony No. 1 and marked his entry into Vienna’s elite music scene. The evening included works from Beethoven’s predecessors, Mozart, Haydn, and Bach. OBF artistic partner, Jos van Veldhoven, conducts the OBF classical Orchestra and Bewick Academy, side-by-side, in celebration of the 10th anniversary of the OBF Berwick Academy for Historically Informed Performance.

Berwick Academy Orchestra
OBF Classical Orchestra
Rowan Pierce, soprano
Peter Harvey, bass 
Augusta McKay Lodge, violin 
Jonathan Oddie, fortepiano 
Jos van Veldhoven, conductor

Discovery: The Leipzig Popular Music Scene

July 5, 7:30 PM, Soreng Theater

Bach virtuoso and “musical force” (South Florida Classical Review), Shunske Sato, leads the Berwick Academy Orchestra through the iconic OBF Discovery Series. The program includes secular works performed during the social gatherings of church and academic musicians in the early 1700s. Sato explores concertos by Bach and Fasch, as well as pieces from Telemann and Heinichen.

Berwick Academy Orchestra
Shunske Sato, conductor

Other BA alums joining the professional Baroque Orchestra this year:  

  • Elise Bonehivert, clarinet (BA 2015, 2018)
  • Toma Iliev, violin (BA 2015)
  • Christine Wilkinson-Beckman, violin (BA 2016)
  • Aaron Goler, bassoon (BA 2019, 2022)
  • Alaina Diehl, flute (BA 2022)